Las óleos de todo Raffaello
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ID |
Image |
Painting (From A to Z) |
Details |
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30966 |
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Bathazar Castiglione,ecrivain et deplomate |
mk70
Toile
H.0.82
L.0.67
Paris,Muee du Louvre
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51253 |
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Jacob's Dream |
1518-19
Fresco Loggia on the second floor |
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51227 |
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Madonna and Child with the Infant St John |
1508
Tempera and oil on wood,
28,5 x 21,5 cm |
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51224 |
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Madonna of Belvedere |
1506
Oil on wood,
113 x 88 cm |
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30964 |
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Portrait de l'artiste avec un ami |
mk70
Toile
H.0.99
L.0.83
Paris,Musee du Louvre
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30965 |
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Saint-Michel |
mk70
Bois
H.0.30
L.0.25
Paris,Musee du Louvre
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51223 |
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St George Fighting the Dragon |
1505
Oil on wood,
32 x 27 cm |
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51225 |
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The Canigiani Madonna |
1507
Oil on wood,
131 x 107 cm |
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51221 |
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View of the Stanza della Segnatura |
1510-11 |
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| Raffaello
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| Italian painter , 1483-1520
was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
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